The Expo Blog is a space for posts on the history, themes, legacies and experience of Expos. It includes articles from the BIE and external contributors.
The M spot of the A-Z of Expo Architects series is occupied by Imre Makovecz, a major figure of organic architecture and first President of the Hungarian Academy of Arts. Marginalised by authorities from 1976 until the end of the 1980s, Makovecz was commissioned to design the country’s pavilion at World Expo 1992 Seville, which perfectly encapsulated his compelling idiosyncratic and organic style.
Renowned Polish-American architect, artist and designer Daniel Libeskind occupies the L spot in the A to Z series. For World Expo 2015 Milan, Libeskind’s studio created not only a corporate pavilion for Chinese property developer Vanke, but also the four gleaming gate-like structures in the heart of Piazza Italia – ‘The Wings’.
A well-established figure for the daring and spectacular shapes of his designs, Libeskind teamed up with Vanke to create a pavilion that developed Expo 2015’s theme “Feeding the Planet, Energy for Life”, and which showcased green technology and sustainability, both in its form and its content.
Taking the letter K in the Expo Architects series is Kisho Kurokawa, a leading figure in Japanese architecture of the 20th century who pioneered organic structures. At Osaka’s futuristic World Expo 1970, Kurokawa designed three pavilions: the Capsule House theme pavilion, the Takara Beautilion pavilion and the Toshiba-IHI pavilion.
Seattle’s World Expo 1962 is known for celebrating the Space Age and for putting Seattle on the map, notably with the construction of the Space Needle. More than this, the Century 21 Exposition was also a venue for showcasing innovations and offering visitors a glimpse of what the future had in store.
One of these innovations was the first ever cordless telephone, specially created so as to allow calls to be made from the Space Needle’s revolving restaurant without the complication of cables. The futuristic cordless phones were a hit with the public, but would not become commonplace for another several years.
After BIG’s pavilion for Denmark at Expo 2010 Shanghai, this week’s instalment of the A-Z of Expo Architects has only a short distance to go, with Finland’s pavilion, designed by Helsinki-based architectural group JKMM, situated a stone’s throw away.
Winning a tough competition with over 100 entries, JKMM – composed of Asmo Jaaksi, Teemu Kurkela, Samuli Miettinen and Juha Mäki-Jyllilä – created a pavilion that offered a microcosm of Finnish society, responding to the theme of Expo 2010 Shanghai, “Better City, Better Life”. Dubbed “Kirnu”, meaning Giant’s Kettle, the pavilion was inspired by the many large cavities cut into bedrock that form a key part of Finland’s geography.